Ben Abraham
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Frontier Touring is proud to present award-winning Melbourne-raised, Los Angeles-based singer/songwriter Ben Abraham, returning home this December for two exclusive headline shows in Sydney and Melbourne: Ben Abraham’s Christmas Special.
Joined by special guests on stage, fans can catch the in-demand songwriter performing at the Metro Theatre, Sydney, on Wednesday 18 December and Forum Melbourne on Friday 20 December with a captivating two and a half hour show.
Renowned for his talent for pairing profoundly personal lyrics with soulful and cinematic indie folk with electronic flourishes, as heard on tracks such as ‘Never Been Better’, ‘If I Didn’t Love You’, ‘This Is On Me – ft. Sara Bareilles’ and more, Ben’s annual Christmas shows are not to be missed. Starting the night with his full band performing original music, fans can expect an indie ‘carols by candlelight’ second set featuring a few special guests (past alumni including the likes of Vance Joy and Gotye).
After years of working as a songwriter for other artists – including co-writing Kesha’s double-platinum, GRAMMY-nominated smash hit ‘Praying’ – Abraham released his sophomore album, Friendly Fire, in 2022. Labelled “spectacular” by website Essentially Pop, the record captured Abraham’s journey of losing faith after a painful breakup. 2024 has been a year of new beginnings: newly independent, Ben is excited to be releasing new music... some of which fans may get to hear at these special shows.
Don’t miss the one and only Ben Abraham, when he returns home to Melbourne and Sydney this December!
Age Policy 16+:
The reserved seating area in front of the stage for this event is 16+. 16 to 17 year olds can attend but need to be accompanied by a parent or legal guardian with a valid ticket. Limit of x3 minors per adult applies.
The booth seating and GA Standing areas for this event are strictly 18+.
For ticket holders 18+, a valid Proof of Age photo ID is required by all patrons (Australian Driver’s License, Victorian Learners Permit, Passport, Proof of Age Card, Keypass). Photocopies and photos of ID will not be accepted.
Mixed Venue Mode:
For this specific event, there are reserved seats located on the dance floor in front of the stage as well as booth seating and a general admission standing area. Please check the Age Policy for this event to ensure you are purchasing the correct tickets.
Conditions of Entry:
To ensure you have a safe and enjoyable experience, please be aware of Forum Melbourne's Conditions of Entry here.
Mobile/Emailed Tickets: Download your tickets before you arrive. For the best experience we recommend downloading the Ticketek App to your phone.
Booth Ticket Holders: Please go to the Box Office on arrival at the venue to collect your wristband and our staff will then direct you to your booth. Note that a General Admission ticket plus a Booth Upgrade ticket must be purchased and presented together for booth access.
Location: Forum Melbourne is located at 154 Flinders Street, Melbourne 3000.
Parking: Discounted parking rates are available at some nearby Wilson Car Parks. More info here.
Accessibility: Forum Melbourne is committed to making performances accessible to the widest possible audience. For further information about accessibility call 1300 11 10 11 and select option 2 for our accessibility customer service line, or you can find more info here.
Purchasing Tickets: Only purchase your tickets from our official ticketing partner, Ticketek and not from any unauthorised or secondary ticket sellers, as they do not guarantee access to the venue.
Cloakroom: A cloakroom is available upstairs on the Mezzanine level. The cost for cloaking is $5, which includes up to 3 items.
Bag checks: Due to security requirements, you will be required to show the contents of your bag to venue staff. Prohibited items will not be allowed into the venue and may be confiscated or entry may be refused.
Cameras: Phone cameras and small point and shoot cameras are permitted. No larger cameras or cameras with detachable lenses are permitted. No flash photography.
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